By George Woodcock (auth.)
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Extra resources for 20th-Century Fiction
Whatever the mode, however, there is always in Aiken, even if only residually, that sense of horror, of terror, and of death - "The sombre note that gives the chord its power," as he puts it in "Palimpsest"- that gives the best poetry its capacity to hurt and wound us. When, in Preludes for Memnon, he defines the role of the poet, Aiken finds a definition that takes full note of this fundamental ground-bass of his own work; the poet is one who by imagination [apes] God, the supreme poet of despair ...
Largely autobiographical, both novels reveal the influence in Agee's life and work of two elemental facts of his childhood: the death of his father when Agee was six years old, and the religious piety of his mother, a piety with which he would constantly struggle. The Morning Watch, for instance, is the story of a young student at a religious school who grows away from orthodoxy toward self-awareness and, eventually, alienation. And in A Death in the Family the young protagonist's father has been killed in an automobile accident - as Agee's own father had been killed - leaving the boy and his family to cope with his absence, even as had the Agee family.
1915. 34 ALDINGTON Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Translator, Latin Poems of the Renaissance. 1915. The Little Demon, by Feodor Sogolub. 1916. The Garland of Months, by Folgore Da San Gemignano. 1917. Greek Songs in the Manner of Anacreon. 1919. The Poems of Me/eager of Gadara.
20th-Century Fiction by George Woodcock (auth.)